Posts mit dem Label 2016 werden angezeigt. Alle Posts anzeigen
Posts mit dem Label 2016 werden angezeigt. Alle Posts anzeigen

Dienstag, 7. Februar 2017

Miracle healing. Southern France 2016.

During the last show I played with Grae J. Wall in Catalonia the problem occurred the first time. Middle of the gig the guitar pickup had these annoying drop outs. No sound - sound - no sound... Bloody mess. Left for Toulouse to play the Les Pavillons Sauvages, worried the whole thing would turn out a disaster just due to some technical issues. Fortunately it didn't. In fact maybe one of the best shows I had the pleasure to play 2016. For some reason the guitar worked all through the show, there was a fantastic crowd, I shared the evening with two most amazing acts (Koonda Holaa and Hilton) and the sound was just perfect. Surprisingly I didn't even fuck up my playing. The Les Pavillons Sauvages family took care of me in a way you don't really get to experience very often on tour. I owe you. A lot.

Insertion/Polaroid
Had a stroll along the Canal du Midi in the afternoon. I was walking towards two plain-clothes police officers walking a young woman away from one of the locks. There were another two uniformed officers obviously examining the scene, a medic followed the two policemen with the lady. She had a Mia Farrow kind of look to her, a tattoo on her arm, maybe the left one, looking terrified, staring at some spot somewhere behind me. I thought she should have been trembling but I think she wasn't. She looked like someone who had just seen or discovered something really terrible, something unspeakably scary, something not meant to be seen by anyone. It was a dim, mid-November afternoon, not particularly cold or warm. I remember there was some Italian chanson or schlager from some open window from across the canal adding a surreal soundtrack to the whole scenery.


As the following day was off I went to see two guitar shops for fixing my guitar. Paprika's Workshop had a look at it but couldn't help as they were up to their neck in work, the other one, Fred's Guitar Parts, was equally helpful but had no spare part for the out-of-phase switch being apparently the trouble maker that cut off the signal as soon as I touched it. Advise: well, can't do anything about it now on such short notice but...erm... maybe just don't touch it. There you are!
Checking the route to my next show in Tarbes I realized this little town in the south of France is just about a 30 minutes ride away from Lourdes. It may sound silly but that's the kind of thinking you inadvertently get into being on tour. "What's good for the blind and the crippled can't be bad for Mäkkelä's guitar." is what I thought... You might figure what I was hoping for.





I drove there. I parked the car. I felt a bit stupid about the whole idea so I didn't take the guitar out of the car. Instead I walked down towards the St Bernadette church or grotto or whatever it is behind it's massive iron gate. I've been told about endless rows of water tabs where one can fill own bottles for some take-away holy water for home healing business. Unfortunately I didn't have a spare bottle on my walk down the hill in the old town of Lourdes. Down the deserted main drag of Bernadette merchandise wonderland, past closed memorabilia shops, through the drizzle, across the river... This was like a film set of some weird road movie. I took a photo of the gate with the Bernadette fountain behind it, at least I assume that's what it's called, turned around and walked back. That's when I spotted what's very likely one of the biggest merchandise supermarkets I've seen all my life. All kind of useful things you would like to take home from your pilgrimage. Candles all sizes, snow globes all sizes, Bernadette shaped bottles (didn't find the dildo shaped ones I've been told about), both filled with water and empty in a broad variety of qualities and makes, a huge selection of things I don't know what they're for, a dashboard-pope and to my big surprise also a dashboard-Mr Bean, the latter in the bargain section. If you ever get there have a look at the Palais du Rosaire. Highly recommended. And still, please believe me, I'm not taking the piss here. It's just yours truly stumbled into a slightly surreal scenery totally new to him. And yes, there was still that thought something around here might help me with my guitar. I did spend about 18 Euros in holy merch for which I got a surprising lot of things including a very small vial with sacred water. Picked up my car and headed for Tarbes. On the drive, mulling over the afternoon, I had to admit my belief has apparently got it's limits. No, I wasn't going to pour the water on my guitar. If that healing power was strong enough just the effort of going there, willing to believe in it, should be enough. Even though I turned out too much of a sceptic at the end of the day.

 

Tarbes. I like Tarbes. I liked it from the moment I bought my first parking ticket there. A bargain. I liked it when I saw the Celtic Pub Is Not A Pub where I was about to perform in with all its posters of a surprising lot of bands I either know or played with before. I liked it when I walked through town and saw the shop window with the penguins and seagulls. I seriously started to love it when the sound was brilliant, JL the bar owner turned out to be a wonderful bloke, the audience was well into what I did on this Friday night and it was packed. You wouldn't expect this in a small town in the south of France. As little as on that very evening the young guy from Hamilton, Ontario probably expected a Finnish-German songwriter playing "End of me", a song written by Wax Mannequin, an artist from his home town and chatting about just recently strolling down James Street N. and having played a gig at the This Ain't Hollywood. Ended the evening with a stiff Picon Bière.

You should also know I'm still brooding about the fact my guitar worked perfectly ok for that night and all the rest of the tour. So...

Mittwoch, 29. Juni 2016

Via Baltica 2016

Two awful long rides. 72 h mostly behind the wheel. Turku. The ferry. Tallinn. Liepaja. Biala Podlaska. A minimum of sleep, roughly 1500 kilometers including a fair bit of gravel road in Latvia, a little nap on the driver seat, dozing away with a view of the baltic sea in the greyish dim morning light somewhere north of Riga. All muscles aching from both the endless driving and the fab but straining last gig in Tallinn, dizzy from staring onto the neverending dotted yellow line in front of me. Was it yellow? Blurred images of service stations on the nightly Via Baltica. Rush in, grab a coffee, a chocolate bar, still believing that little extra sugar would keep me awake long enough for another 20 or 30 kilometers. Just to make it in time for yet  another poorly paid gig? For the vague possibility of being rewarded by a small audience that appreciates the songs, the playing, the putting in everything you've got way beyond emotional exhaution? It's mad. It's totaly, utterly insane.


What makes people do things like that? They do it because it's worthwhile. Because nobody else would do it. Because there is nothing comparable to having given them the story of your life, all that you are, to people who have been strangers to you half an hour earlier, taking the risk of being turned down. Being ignored, being hurt in the worst case. But then there is nothing comparable to that wave of bliss following a short period of complete emptiness if it worked that particular night. Absolutely nothing.
Might be the idea of catching a fracture of a second's glimpse onto the other side. To have a stroll on that faraway boulevard, that high street of an inbetween world. Grabbing this shorter than short moment of eternal luck, being part of it, of a different world most people will never have the chance to see. Sure I know. It's playing with matches but it's irresistible once you've been there and made it back. It's one of those few remaining moments of magic in a world that has become too factual in it's functionality to allow such. A world trying to stop us from dreaming and thus putting it's sheer existence at risk.